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A REESE'S BOOK CLUB PICK "A beautiful exploration of the often complex parameters of freedom, prejudice, and individual sense of self. Chibundu Onuzo has written a captivating story about a mixed-race British woman who goes in search of the West African father she never knew . . . [A] beautiful book about a woman brave enough to discover her true identity." --Reese Witherspoon "Onuzo's sneakily breezy, highly entertaining novel leaves the reader rethinking familiar narratives of colonization, inheritance and liberation." --The New York Times Book Review An Amazon Spotlight Pick of the Month * Named a Best Book of the Month by Entertainment Weekly, Harper's Bazaar, and Time * Named a Most Anticipated Book of the Month by Goodreads, PopSugar, PureWow, LitHub, Minneapolis Star-Tribune, and Buzzfeed A woman wondering who she really is goes in search of a father she never knew--only to find something far more complicated than she ever expected--in this "stirring narrative about family, our capacity to change and the need to belong" (Time). Anna is at a stage of her life when she's beginning to wonder who she really is. In her 40s, she has separated from her husband, her daughter is all grown up, and her mother--the only parent who raised her--is dead. Searching through her mother's belongings one day, Anna finds clues about the African father she never knew. His student diaries chronicle his involvement in radical politics in 1970s London. Anna discovers that he eventually became the president--some would say dictator--of a small nation in West Africa. And he is still alive... When Anna decides to track her father down, a journey begins that is disarmingly moving, funny, and fascinating. Like the metaphorical bird that gives the novel its name, Sankofa expresses the importance of reaching back to knowledge gained in the past and bringing it into the present to address universal questions of race and belonging, the overseas experience for the African diaspora, and the search for a family's hidden roots.   Examining freedom, prejudice, and personal and public inheritance, Sankofa is a story for anyone who has ever gone looking for a clear identity or home, and found something more complex in its place.

"This is the hopeful book we all need right now. I loved it!"--Emily Giffin, #1 New York Times bestselling author of The Lies That Bind   An Emily Giffin Book Club pick!   A Southern Living Best Beach Read * A PopSugar Best Book of May * An Us Weekly Summer Beach Staple * A Frolic Under-the-Radar Book of May * An OK Magazine Best Summer Beach Read * An EW.com Best Book of Spring * A Country Living Can't Miss Beach Read * A LibraryReads Pick for May Sometimes all you need is one person to really see you. Piper Parrish's life on Frick Island--a tiny, remote town smack in the middle of the Chesapeake Bay--is nearly perfect. Well, aside from one pesky detail: Her darling husband, Tom, is dead. When Tom's crab boat capsized and his body wasn't recovered, Piper, rocked to the core, did a most peculiar thing: carried on as if her husband was not only still alive, but right there beside her, cooking him breakfast, walking him to the docks each morning, meeting him for their standard Friday night dinner date at the One-Eyed Crab. And what were the townspeople to do but go along with their beloved widowed Piper?   Anders Caldwell's career is not going well. A young ambitious journalist, he'd rather hoped he'd be a national award-winning podcaster by now, rather than writing fluff pieces for a small town newspaper. But when he gets an assignment to travel to the remote Frick Island and cover their boring annual Cake Walk fundraiser, he stumbles upon a much more fascinating tale: an entire town pretending to see and interact with a man who does not actually exist. Determined it's the career-making story he's been needing for his podcast, Anders returns to the island to begin covert research and spend more time with the enigmatic Piper--but he has no idea out of all the lives he's about to upend, it's his that will change the most. USA Today bestselling author Colleen Oakley delivers an unforgettable love story about an eccentric community, a grieving widow, and an outsider who slowly learns that sometimes faith is more important than the facts.

From one of our most preeminent writers, a tale that captures the shifting meanings of the past, and how our experience colors those meanings. Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now defunct (for thirty-four years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage--in particular, his illustrious cousin, the renowned archaeologist Sir William Matthew Flinders Petrie--he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island. From this seed emerges one of Cynthia Ozick's most wondrous tales, touched by unsettling irony and the elusive flavor of a Kafka parable, and weaving, in her own distinctive voice, myth and mania, history and illusion.

A major work of contemporary fiction from a "leading light of international literature" (Publishers Weekly, starred review), Hanne Ørstavik, whose last novel, Love, won the PEN Translation Prize. A thought-provoking, existential novel - as Liv searches for meaning and identity in her own life, she must find the words to connect, comfort and lead others.   Liv, an intense and reticent theologian, moves to a bitterly cold fishing village to take up a post as the church's new pastor following the death of her friend, Kristiane. In the upper rooms of a large house overlooking the fjord, Liv plans her sermons and studies the violent interplay of Norway's Christian colonial past. She trails downstairs into the apartment below for dinners and breakfasts with a widow and her two children. As Liv becomes acquainted with the villagers and their own private tragedies, memories bloom in passages that urgently question the unpredictable bedrock of language, and the peculiar channels of imagined experience as it might have been, if only there had been a different set of words, or an outstretched hand.   The past mingles darkly with the present, cascading in chilling images: a dog lying dead in the snowy plains, Kristiane's teeth flashing as she laughs, a procession of singing, knife-carrying protesters curving along a river's edge. Martin Aitken's translation of this extraordinary novel rings with the brilliance and rigor of a master.

A new collection of dark, chilling tales from the #1 New York Times Bestselling author From literary icon Joyce Carol Oates comes a brand new collection of haunting and, at times, darkly humorous mystery & suspense stories. These are tales of psyches pushed to their limits by the expectations of everyday life--from a woman who gets lost on her drive home to her plush suburban home and ends up breaking into a stranger's house, to a first-person account of a cloned 1940s magazine pinup girl being sold at auction and embodying America's ideals of beauty and womanhood. Taken as a whole, the collection forms a poignant tapestry of regular people searching for their place in a social hierarchy, often with devastating and disastrous results. Rendered with stylish, fresh writing from an author who continues to push the envelope, the stories deftly weave in and out of a stream-of-consciousness to reflect the ways we process traumatic experiences and impart that uncertainty and uneasiness to the reader. Originally appearing in publications as disparate as Harper's, Vice, and Conjunctions, the stories comprising Night, Neon showcase Oates' mastery of the suspense story--and her relentless use of the form to conduct unapologetically honest explorations of American identity.

"Enchanting...the most surprising, confounding, and oddly insightful couple's trip in recent literary history." Entertainment Weekly The prize-winning, bestselling author of Gingerbread; Boy, Snow, Bird; and What Is Not Yours Is Not Yours returns with a vivid and inventive new novel about a couple forever changed by an unusual train voyage. When Otto and Xavier Shin declare their love, an aunt gifts them a trip on a sleeper train to mark their new commitment--and to get them out of her house. Setting off with their pet mongoose, Otto and Xavier arrive at their sleepy local train station, but quickly deduce that The Lucky Day is no ordinary locomotive. Their trip on this former tea-smuggling train has been curated beyond their wildest imaginations, complete with mysterious and welcoming touches, like ingredients for their favorite breakfast. They seem to be the only people onboard, until Otto discovers a secretive woman who issues a surprising message. As further clues and questions pile up, and the trip upends everything they thought they knew, Otto and Xavier begin to see connections to their own pasts, connections that now bind them together. A spellbinding tale from a star author, Peaces is about what it means to be seen by another person--whether it's your lover or a stranger on a train--and what happens when things you thought were firmly in the past turn out to be right beside you.

"Olsen's fascinating experiment achieves heft by the accumulation of personal and collective loss, which makes the nightmarish coda feel eerily plausible. Together, the elegant and heartbreaking set pieces prompt deep reflection on the connections between minds and bodies, and on where both are ultimately headed."--Publishers Weekly (starred) Skin Elegies uses the metaphor of mind-upload technologies to explore questions about the relationship of the cellular brain to the bytes-entity to which it gives rise; memory and our connection to the idea of pastness; refugeeism (geographical, somatic, temporal, aesthetic); and where the human might end and something else begin. At the center stands an American couple who have fled their increasingly repressive country, now under the authoritarian rule of the Reformation Government, by transferring to a quantum computer housed in North Africa. The novel's structure mimics a constellation of firing neurons--a sparking collage of many tiny narraticules flickering through the brain of one of the refugees as it is digitized. Those narraticules comprise nine larger stories over the course of the novel: the Fukushima disaster; the day the Internet was turned on; the final hours of the Battle of Berlin; John Lennon's murder; an assisted suicide in Switzerland; the Columbine massacre; a woman killed by a domestic abuser; a Syrian boy making his way to Berlin; and the Challenger disaster. With his characteristic brilliance and unrivaled uniqueness, Lance Olsen delivers an innovative, speculative, literary novel in the key of Margaret Atwood, Stanislaw Lem, and J.G. Ballard.

"No one writes like Ruth Ozeki--a triumph." --Matt Haig, New York Times bestselling author of The Midnight Library "Inventive, vivid, and propelled by a sense of wonder." --TIME "If you've lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home." --David Mitchell, Booker Prize-finalist author of Cloud Atlas A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both--the brilliantly inventive new novel from the Booker Prize-finalist Ruth Ozeki One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house--a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.   At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.   And he meets his very own Book--a talking thing--who narrates Benny's life and teaches him to listen to the things that truly matter.   With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki--bold, wise, poignant, playful, humane and heartbreaking.

"She's the adopted daughter of the Angel of Death. Beware of her. Mind her. Death guards her like one of its own." The day Fatima forgot her name, Death paid a visit. From here on in she would be known as Sankofa­­--a name that meant nothing to anyone but her, the only tie to her family and her past. Her touch is death, and with a glance a town can fall. And she walks--alone, except for her fox companion--searching for the object that came from the sky and gave itself to her when the meteors fell and when she was yet unchanged; searching for answers. But is there a greater purpose for Sankofa, now that Death is her constant companion?

An instant New York Times bestseller! The second gripping novel in the New York Times bestselling Thursday Murder Club series, soon to be a major motion picture from Steven Spielberg at Amblin Entertainment "It's taken a mere two books for Richard Osman to vault into the upper leagues of crime writers... THE MAN WHO DIED TWICE. . . dives right into joyous fun." --The New York Times Book Review Elizabeth, Joyce, Ron and Ibrahim--the Thursday Murder Club--are still riding high off their recent real-life murder case and are looking forward to a bit of peace and quiet at Cooper's Chase, their posh retirement village.   But they are out of luck.   An unexpected visitor--an old pal of Elizabeth's (or perhaps more than just a pal?)--arrives, desperate for her help. He has been accused of stealing diamonds worth millions from the wrong men and he's seriously on the lam.   Then, as night follows day, the first body is found. But not the last. Elizabeth, Joyce, Ron and Ibrahim are up against a ruthless murderer who wouldn't bat an eyelid at knocking off four septuagenarians. Can our four friends catch the killer before the killer catches them?  And if they find the diamonds, too? Well, wouldn't that be a bonus?  You should never put anything beyond the Thursday Murder Club.   Richard Osman is back with everyone's favorite mystery-solving quartet, and the second installment of The Thursday Murder Club series is just as clever and warm as the first--an unputdownable, laugh-out-loud pleasure of a read.

London, 1893: high up in a house on a dark, snowy night, a lone seamstress stands by a window. So begins the swirling, serpentine world of Paraic O'Donnell's Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter's sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters--despite her employer's preference that she stick to a women's society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.